Ignore the Nightwing Behind the Curtain

"Ignore the Nightwing Behind the Curtain" from Justice League Task Force #1 (DC, 1993) by David Michelinie, Sal Veluto and Jeff Albrecht

JL Task Force was sort of JLA meets Suicide Squad with less dying. J'Onn J'Onzz oversaw missions with a rotating cast of Justice Leaguers, both old (Flash, Aquaman, Gipsy, etc.) and new (Nightwing, Bronze Tiger, Triumph, etc.). It's like suddenly anyone could be drafted into the Justice League (a bit like what the Avengers have since become). I didn't stick with the book for long, and looking at my old books looking for a splash I can see why. After the first year, it seemed to quickly devolve into 90s superheroics, and even before then has some strange ideas. J'Onn turns into the Martian Manhuntress, for example, and there's the scene above, where ponytailed Nightwing was standing behind a curtain for an entire scene... I don't dislike Veluto's art (though it's rather dependent on who's inking), but his dramatic staging is weird to say the least.

The Justice League in... Trials and Tribble-ations

"The Justice League in... Trials and Tribble-ations" from Justice League Quarterly #3 (DC, 1991) by Keith Giffen, Gerard Jones, Mike McKone and Bob Smith

Two DC franchises were so popular by the start of the 90s that they got thick Quarterly books to feature more stories. These were the Green Lantern Corps and the Justice League (sound familiar?). JLQ was hit and miss, though it did have Mark Waid writing the lead most times, though Giffen and Jones (the regular JL writers) wrote the story of a miniaturized League traveling to the JLofA's Happy Harbor era above. However, the features on Justice Leaguers acting solo have lost a lot of relevance. General Glory (just awful)? Maxima? PRAXIS?! It can't all be Fire & Ice, I guess. The book is also famous for creating the Conglomerate. I'm just kidding. It's not famous at all.

Third Issue Mandated Batman Guest Appearance

"Third Issue Mandated Batman Guest Appearance" from Justice League of America's Vibe #1 (DC, 2013) by Sterling Gates, Manuel Garcia, Fabiano Neves, Sandra Hope Archer and Fabiano Neves

The more things change (Vibe gets his own book?!), the more they stay the same (nananananananana BATMAN!).

A Justice League, Not THE Justice League

"A Justice League, Not THE Justice League" from Justice League of America vol.3 #1 (DC, 2013) by Geoff Johns and David Finch

So I'm record saying I can't stand the current Justice League book. A second title pops up, this one, and it's even worse. Unlikable characters, another boring government-controlled set-up, and Finch's horrible art. When Vibe is your most engaging member, you might be doing something wrong. Really, I can't understand how Johns can be writing these anti-heroism books when he's got things on his CV like Adventure Comics' Superboy stories. Not the same man, at all.

Lex Luthor's Cheesecake Pillar

"Lex Luthor's Cheesecake Pillar" from Justice League of America vol.2 #14 (DC, 2007) by Dwayne McDuffie, Ed Benes and Sandra Hope

There was no way I was going to pick up Master of Decompression Brad Meltzer's JLofA, the one that started with the Big 3 playing the Versus CCG for issues on end. I'm afraid McDuffie's takeover wasn't entirely successful, so long as an artist like Ed Benes was on the case. No Black Canary crotch shot in the above image, but it's still pretty smarmy. And footless. Is that why Red Tornado's legs have been removed? One of his feet would have been in frame? I bet that's it.

Batman Doesn't Fear the Fire

"Batman Doesn't Fear the Fire" from Justice League of America vol.1 #254 (DC, 1986) by Gerry Conway, Luke McDonnell and Bill Wray

I could have used a splash from the classic Silver Age JLofA. Or one from the Satellite Era. But nooooo. I had to pick something from Justice League Detroit. GET OVER IT! Anyway, it's Batman getting close to a flaming Despero and not even FLINCHING. JLDetroit was better than you remember, yo.

Choices

"Choices" from Justice League International vol.3 #1 (DC, 2011) by Dan Jurgens, Aaron Lopresti and Matt Ryan

Imagine if Booster Gold had chosen Metamorpho or Plastic Man or B'wana Beast or the Creeper (so he exists in the New52, not just as a Japanese demon in the most recent issue of Katana, or did Jack Ryder die in Phantom Stranger, sigh) or Congorilla... Unless I'm mistaken, those characters have yet to show up in the New52 as yet (Rex was referenced though). As it turns out, Jurgens' JLI was just too straightforward for me and fell by the wayside early. Solid superhero material, but it didn't really rise above the average. I did pick up its death throes and was stoked to see a Rip Hunter/Booster Gold sequence, but I'm still waiting for them to undo the Flushpoint.

Guy Gardner's Baaa-aaaack!

"Guy Gardner's Baaa-aaaack!" from Justice League International vol.1 #18 (DC, 1988) by Keith Giffen, J.M. DeMatteis, Kevin Maguire and Al Gordon

One of the weird things in JLI was the transformation of Guy Gardner from a right-wing a-hole to a warm and fuzzy, touchy-feely, naive left-winger. It was Batman's punch that did it. And then Lobo showed up, punched him again, and we got our old Guy back! A case of Giffen and DeMatteis knowing when the joke has gone on long enough. JLI was probably features the series' best sequence of issues. Justice League was too serious, Justice League America too comical. JLI was Goldilocks' "just right" Justice League.

Creeping Towards Kingdom Come

"Creeping Towards Kingdom Come" from Justice League: Generation Lost #11 (DC, 2011) by Judd Winick, Aaron Lopresti and Matt Ryan

Not that it matters. Any of it. More than the promises made by Brightest Day, JLGen Lost really infuriated me when the Flushpoint invalidated its reconstitution of the old JLI (with the new Blue Beetle in place of Ted Kord, but still a Blue Beetle). Though more serious than the 80s-90s comics, there was still a pretty hilarious Rocket Red and all the characters best associated with that era of the Justice League (and, like J'Onn, not associated with any other), like Booster Gold, Fire and Ice, Captain Atom and Power Girl. Maxwell Lord was in it too, as a villain, which was perhaps unfortunate. That's a character I feel was tainted by the events he was forced on him by big stupid crossover events, and here was the perfect place to purge him of Ted's murder, etc. But no, still a douchebag villain. Not that it matters.

So Is J'Onn the Sheriff?

"So Is J'Onn the Sheriff?" from Justice League Europe #27 (DC, 1991) by Keith Giffen, Gerard Jones, Bart Sears and Randy Elliott

Though JLE was the more serious of the two JLI books, there was still room for comedy. Power Girl's mangy cat, for example, got itself a couple of solo issues and they are among the most memorable of the run. But the book also gave us the lethal Exterminators and Metamorpho's family trouble. After Breakdowns, things went south QUICK. The JLE moved to a haunted castle, Power Girl got a truly horrifying costume, oh and there was a storyline where one of the male members possessed her body and try to sleep with the female Dr. Light before walking on all fours like an animal. That's when I decided I'd had enough.

A Bad Case of Manchester Black

"A Bad Case of Manchester Black" from Justice League Elite #10 (DC, 2005) by Joe Kelly, Doug Mahnke and Tom Nguyen

Elite was to the Justice League what Secret Avengers is to that franchise. Except it only managed 12 issues. Probably because it featured strange new members like Sister Superior, Manitou Raven&Dawn, Menagerie and Coldcase. Appearances by Green Arrow and the Flash I don't think were enough to rescue a book that was TOO "black ops" for its own good. I mean, who WERE those guys?

Dead Acrobat

"Dead Acrobat" from Justice League Dark #13 (DC, 2012) by Jeff Lemire, Mikel Janin and Victor Drujiniu

The "Justice League" brand doesn't quite fit its characters, but in the JLDark, Jeff Lemire has turned an intriguing Milligan book into a fun minor hit. He seems intent on the cramming as many magic-related DC characters into its pages as possible, in strange and daring combinations. He's brought back Tim Hunter and Black Orchid, made John Constantine fly around creation in the House of Mystery (yes, it IS bigger on the inside), and even brought Frankenstein back from cancellation limbo. Amethyst in a Justice League? Bring her on! And the art is quite pretty too.

Bloodwynd vs. Martian Manhunter

"Bloodwynd vs. Martian Manhunter" from Justice League America #74 (DC, 1993) by Dan Jurgens and Rick Burchett

The Giffen League that started as Justice League and then became Justice League International, was eventually split into two books - JL America and JL Europe - to better cover the globe with justice. It wasn't the BEST move in the world. JLE was a straighter take, leaving JLA to go for more and more comedy, to the point where the joke wasn't that funny anymore. General Glory, for example? Not funny. The art started to suffer as well, and Giffen eventually ended the series with the Breakdowns event. Of course it went on, and by issue 80 or so was nigh unreadable dreck. But between Giffen and the bad writing/bad art eras, there was a shining beacon of frankly readable comics. Dan Jurgens took over the book and though the team composition was all over the place, he brought a solid superhero look and storytelling style that was perfect for the period's crossover with the Death of Superman, for example. I think it's never been collected, because I often read comments asking for a trade. It's worthy. What came later, not so much.

Cold War

"Cold War" from Justice League Adventures #12 (DC, 2002) by Christopher Sequeira, Min S. Ku and Mark Propst

Why has this supervillain team never been assembled in the proper DC universe?! Polar Lord?! Brilliant! Does it need to be said that comics based on the WB cartoon were often better than a lot of mainstream fare? Well if it does, I'm saying it here. I loved the Justice League cartoon on TV, and I don't remember a bad issue of their comics Adventures either.

For the Throne of Atlantis

"For the Throne of Atlantis" from Justice League vol.2 #17 (DC, 2013) by Geoff Johns, Ivan Reis and Joe Prado

I've bitched about this book a heck of a lot, at the Blog of Geekery, other blogs, Twitter, so I don't want to get back into it here. For some reason, I keep getting an issue from time to time, hoping it's gotten better. New members I like, an Aquaman-centric event, nice art (Reis is very much an improvement over the substanceless Jim Lee)... But every time I do, I'm left unsatisfied. If it was just the book's usual problems - telling instead of showing, incoherent characterization, etc. - I don't think it would be THAT bad. It's gotten better every time I picked up an issue. But the deal breaker for me is the Shazam back-up. It is heinous, and in some cases, even steals pages from the main feature. Cut it, bring the price back down, and you might just have an okay book, DC.

Sam Beckett Leaps Into Booster Gold

"Sam Beckett Leaps Into Booster Gold" from Justice League #4 (DC, 1987) by Keith Giffen, J.M. DeMatteis, Kevin Maguire and Al Gordon

I'm going to cover every iteration of the Justice League, don't worry, and I'll talk about the 80s League's comedy under Justice League International. Let it be known, however, that the book started out as simply "Justice League", lasting 6 issues and an Annual before adding the extra word to its title. These issues weren't QUITE as comedic, though they were quick to get there once Booster Gold was added to the roster. There was humorous banter, to be sure, but the storylines and subplots had yet to merge into the full-on action sitcom it would eventually become.

Pulp Never Seemed so Sci-Fi

"Pulp Never Seemed so Sci-Fi" from Justice Inc. vol.1 #3 (DC, 1975) by Denny O'Neil, Jack Kirby and Mike Royer

The Avenger is a pulp hero like the Shadow, Doc Savage, etc., one that can change his features to look like anyone. Adapting bits from the original pulp novels by Kenneth Robeson, but not necessarily, the series lasted only four issues, three of which were drawn by Jack Kirby. A weird fit, and I imagine it's why the stories suddenly tended to monsters and aliens. There was also a two-issue Justice Inc. book by Helfer and Baker, trying to do what they had with The Shadow, and more recently, Justice Inc. was a back-up in one of the First Wave books.

Alex Ross' Green Lantern Corps

"Alex Ross' Green Lantern Corps" from Justice #12 (DC, 2007) by Alex Ross

It could have been All-Star Justice League based on when it came out, or perhaps I should say All-Star Super-Friends. Alex Ross indulged his fixation with the 70s cartoon by having the Justice Leaguers fight the Legion of Doom, a supervillain team that had never actually appeared in the comics (as a team anyway). Hey, I was a big fan of Challenge of the Super-Friends too. The 12-issue limited series was splasharific, of course, so why choose the Green Lantern Corps? Well, the splash features some alien characters you don't often see Ross do, and I guess I like throwing frequent commenter SallyP a bone from time to time.

Stop the Music, I'm Gonna Be Sick

"Stop the Music, I'm Gonna Be Sick" from Judge Dredd: Legends of the Law #4 (DC, 1995) by Alan Grant, John Wagner, Brent Anderson and Jimmy Palmiotti

DC's OTHER Dredd series took its concept and even its title from Batman's Legends of the Dark Knight, and featured multi-issue arcs by different creative teams who wanted to take a shot at Dredd. Grant and Wagner were obvious fits, but there was also work by people who'd never done a Dredd story before, like John Byrne (just writing, not drawing, though). Like the main book, it didn't last very long (13 issues).

Freeze, Creeps!

"Freeze, Creeps!" from Judge Dredd #1 (DC, 1994) by Andrew Helfer and Mike Avon Oeming

Though I'd seen Judge Dredd in reprints before, and had the role-playing game, my first prolonged taste of Dredd was when DC held the rights to publish new Dredd stories for the American market, just as IDW does now. Check out the dates. Each American version of the book coincides with the release of a movie. The ongoing started strong with Mike Avon Oeming art, but he left after a few issues. The book didn't resonate with the American public, I guess, because it only lasted a year and a half. Or perhaps I should lay that at the Stallone film's feet.