A Thankless Task

"A Thankless Task" from Zero Hour: Crisis in Time #0 (1994) by Dan Jurgens and Jerry Ordway

Yeah, not much Extraordinary Ordway there, sorry, and all for the sake of a joke. Zero Hour was heir to Crisis on Infinite Earths, required to fix the bugs Crisis had failed to fix, or to put it better, had created itself. And of course, caused problems of its own. Hardest hit was the Legion of Super-Heroes which started on its journey to unlimited reboots, feels like (that included Valor). "Fixing" Hawkman actually made things worse too. LEGION to REBELS wasn't my favorite change either. Hal Jordan's death and redemption, I suppose was a necessary piece of the Green Lantern puzzle. The only series "born" of Zero Hour with any lasting power or critical success was Starman, launched along with turkeys like Extreme Justice, Fate, Primal Force, Manhunter (the one no one remembers) and Xenobrood. Yeeech.

That post title is me being facetious. I've enjoyed the the almost three years of running this little side-blog, but now the whiteness has come over it and I'm ending it. I started showcasing splash pages from across all of comicdom, then gave myself more structure by splashing DC Comics series alphabetically. Now that this structure is complete (or as complete as I care to make it), I think I'm done. I need to time to work on other projects. Still, more than a thousand splashes for your consideration in the backlog. Thanks for stopping by, and thanks to all the artists featured for the work they've given us over the last dozen decades.

Zatanna Down the Rabbit Hole

"Zatanna Down the Rabbit Hole" from Zatanna vol.2 #2 (2010) by Paul Dini, Stephane Roux and Karl Story

I've heard good things about Zatanna's last series (only monthly, really), but wasn't really hooked after a couple of issues, Dini had disappointed me on Streets of Gotham, etc. I didn't stay the course despite my interest in supporting books starring female characters. Not too late to sell me on it. I might be willing to read the collections one day.

Mad Mad Modes of Moderns

"Mad Mad Modes of Moderns" from Young Love #61 (1967) by Ric Estrada

Oh romance comics! That's about as much commentary as I can give. Not because I'm dismissive of the genre, but I just don't know very much about it! Don't know much about fashion either.

Young Justice Halloween Party

"Young Justice Halloween Party" from Young Justice #3 (1998) by Peter David, Todd Nauck and Lary Stucker

When the Titans grew up, or were replaced by no-names or whatever was happening in that book, the real sidekicks and higher-end super teens could be found in Young Justice. A whole lot of fun the Titans stuff should have aspired to! Sadly, many of these guys would wind up in a Titans book eventually. Bad move.

Hey, I still need to watch the cartoon series!

Young Heroes in Angst

"Young Heroes in Angst" from Young Heroes in Love #8 (1998) by Dan Raspler, Dev Madan and Keith Champagne

This was a lovely little series that had everything going against it except quality. All new characters, the word "Love" in the title, and light-hearted tone and art? That would never have flown for long. I'm really grateful for the time we did have, 18 issues, one of them a Million issue, so, you know, we can pretend it lasted longer. Need to reread this sweet gem.

Golden Age Flashback

"Golden Age Flashback" from Young All-Stars Annual #1 (DC, 1988) by Roy & Dann Thomas and Joe Kubert

One of the worst things Crisis on Infinite Earths did was kill All-Star Squadron. Roy Thomas convinced DC to let him relaunch the book with a focus on a team of kids going around the country to sell war bonds (obviously, superheroics ensued). And really, nothing against these characters, some of which were pre-extisting Golden Age characters, but the art was never very enjoyable - the exception being the odd flashback splash, see above - and going New Format, at least for me, far from comic book stores at the time, made it hard to come by.

Hang Time

"Hang Time" from Xer0 #2 (DC, 1997) by Christopher Priest, Chriscross and Tom Simmons

I read the entire series not so long ago, and liked it very much. Needs to be collected!

World's Worst

"World's Worst" from World's Finest Comics #156 (DC, 1966) by Edmond Hamilton, Curt Swan and George Klein

My era of World's Finest Comics was the tail end, in the 80s, obviously, when Superman and Batman were good friends whose friendship had recently been tested. It felt natural, and it would take years in the post-Crisis era before they could be that friendly again (if they actually did, I'm not sure). But the stories weren't particularly memorable. I've since gone back to discover older, crazier stories from the Silver Age (above), and the Super-Sons stuff from the 70s, and obviously, the book dates back to the Golden Age where it presented other strips like Stat-Spangled Kid and Green Arrow (and would again, Clark and Bruce weren't always the world's finest team in the Bronze Age). I don't think these ever WERE the World's Finest Comics, but you could argue that at least, Superman and Batman were the World's Finest TEAM. For a while at least.

Children of the Bat

"Children of the Bat" from World's Finest vol.3 #6 (DC, 2013) by Paul Levitz and Kevin Maguire

While the World's Finest team will always be Superman and Batman back when they were real friends, the New52's use of Earth-2 Power Girl and Huntress, children of the formerly-Golden-Age Superman and Batman, come a close second. The series is quite literally a thing of parts. Originally designed with George Perez handling the lukewarm present-day sequences and Kevin Maguire doing the charming 5-years-ago comedy of sisters discovering their roles in a new world, that paradigm I suppose couldn't last forever. Artists come and go, and the Year 1 stuff was eventually phased out. Still, while I don't find the plots particularly memorable, I do like the relationship between the heroines enough to keep reading.

Red Wedding

"Red Wedding" from Wonder Woman vol.4 #10 (DC, 2012) by Brian Azzarello, Tony Akins and Dan Green

Wonder Woman gets married to Hades in a New52 issue of her book, a book, I should mention, almost entirely divorced from the rest of DC continuity. So much so, a recent appearance of Azzarello's creepy Greek gods in Superman/Wonder Woman seemed ill-fitting at best. I read this book, and I enjoy this book, but I'm not sure what to tell you about it. Certainly, the story is interminable, but I'm not sure that's a minus. I mean, we're always condemning "writing for the trade" in 6-issue arcs, aren't we? It's not exactly the premise DC sold us originally - Wonder Woman as Buffy, fighting monsters from myth - but it's still a reinvention of myth and far closer to horror fantasy than it is to superheroics. It's the Vertigo version of Wonder Woman, I guess you could say.

Polar Bears Love Her

"Polar Bears Love Her" from Wonder Woman vol.3 #34 (DC, 2009) by Gail Simone, Aaron Lopresti and Matt Ryan

Volume 3 of Wonder Woman got me interested in Wonder Woman for what I would say was the first real time (in comics form anyway). But not from its first issue. The early issues were apparently a real mess, with Diana as a secret agent, and book author Jodi Picoult apparently failing to make deadlines. I got in when Gail Simone got in (#14), and she wrote a great Wonder Woman, with just the right personality, even making some of the elements of the previous year WORK, while adding a lot of Simoney strangeness that, I think, related well to Diana's Golden Age origins. I'm sad that era of the Amazon's life had to end, with JMS coming in and screwing everything up, then forcing some poor shlub to follow his cocktail napkin notes to the end of the story while he still got story credit and presumably cashed a check. Phil Hester wasn't able to rescue the storyline the way Chris Roberson had somehow saved JMS' equally awful Superman story (I say equally, but it was even worse).

Hermes' Tour of Mythical Greece

"Hermes' Tour of Mythical Greece" from Wonder Woman vol.2 #14 (DC, 1987) by George Perez, Greg Potter and Bruce D. Patterson

Volume 2 of Wonder Woman (post-Crisis) gave us almost another 10 years of stories and again, Diana was pulled into all sorts of different directions, some good, some not so good. Perez' original vision tying her more closely than ever before to Greek myth was worthy and featured good art, but it never really turned my crank. I don't know what it was about it. Might be interesting to revisit the 5-year era. Messner-Loebs then took over and no one remembers what he did with the character until Mike Deodato came on and "Imaged" Diana. The book became all about T&A and Diana was replaced by Artemis because all the DC heroes at the time had to be temporarily replaced with darker characters (Azbats, the four Supermen, and so on), or more permanently by the next generation (Green Arrow, Green Lantern, etc.). That mercifully ended at #100, and John Byrne's more superhero-driven vision brought me back to the book, albeit not for long. It's not that I didn't like the idea that Diana was given her own DC city (Gateway City) or the stories that led to a Golden Age Wonder Woman who could be part of the JSA, it's that his page layouts often amounted to 2 panels a page, and the quickest read in comics. I couldn't support it for long. After that, I lost sight of the book though I've heard good things about both the Jimenez and the Rucka runs, especially the latter.

Corn Crop

"Corn Crop" from Wonder Woman vol.1 #25 (National, 1947) by William Moulton Marston and Harry G. Peter

I really do enjoy looking at Golden Age Wonder Woman stories, though perhaps not for the reasons Marston thought America's youth would. The bondage stuff is pretty crazy, but then so is the rest of this science fiction/fantasy strip. It's certainly got a unique look! Silver Age Wonder Woman is comparatively boring (especially when you look at the insane Superman and Batman stories of the time) and though I like the Mod (powerless) Wonder Woman of the early Bronze Age in principle, it's not that great in execution. 80s pre-Crisis Wonder Woman, well, only really worth it for the Huntress back-up, though I'm not as critical as others of Don Heck's art on that book. Wonder Woman. Choosing splashes from each volume of Wonder Woman for this space, I'm struck at how much creative teams struggled with the character, making huge changes fairly frequently, and more often than not, missing the mark. But the Golden Age original still holds naive charm for me.

My Dad Was Born on a Monday

"My Dad Was Born on a Monday" from Witching Hour vol.1 #8 (DC, 1970) by Sergio Aragones and Neal Adams

Witching Hour was yet another DC horror anthology, this one hosted by the Three Witches, who took turns telling the various tales, many of them with impressive art, especially early on, but the likes of Alex Toth and Neal Adams. The book lasted through the 70s (85 issues) and even went double-sized for a while so it could reprint older anthology material. The interplay between the witches, who seemed to have a richer life than, say, Cain or Abel, made every issue a little more fun than most anthologies.

The Existentialism of Cliff Steele

"The Existentialism of Cliff Steele" from Who's Who in the DC Universe #15 (DC, 1992) by Richard Case

In the early 90s, Who's Who came back with a completely different format. Loose leaf products were all the rage - I also own a great many pieces of AD&D's Monstrous Compendium, similarly packaged - and the idea was that you could order your Who's Who whichever way you liked, whether alphabetical or by type, or even by team. The Doom Patrol entries had that white stripe format, just like the book's covers, that would have made that idea very natural. I'd rather have bound comics and books, but I do admit the illustrations were generally gorgeous, big and in full color, and the binders very beautiful (if much too full, especially once I added the DC Heroes RPG companion loose leafs). Because of the high production values, I'm afraid this version of Who's Who wasn't as "complete" as the original, no room for more obscure characters, but they did do some delightful things with it - longer fold-outs, a Vertigo issue, Sandman in black with white script, Death with a sort of cheeky non-entry... But I don't consider it superior to the original series.

Dial H for Hero

"Dial H for Hero" from Who's Who: The Definitive Directory of the DC Universe #6 (DC, 1985) by Len Wein, Marv Wolfman, Howard Bender and Dennis Jenson

I've made my love of the original Who's Who plain over at Siskoid's Blog of Geekery, both through overt tribute and through a series of posts called Who's This? which I consider to be a companion piece of the extremely fun Who's Who podcast recorded by blogging friends Shag and Rob! Do I need to go on? Yes, let's. In choosing which entry to use as a "splash", I instinctively went to vol.VI, which I've always considered my favorite. Why? Well, part of it is that at the time, my 9th-grade self had started toying with a concept I called the Super 7, which was a superhero team that changed each month, and whose members were drawn from each issue of Who's Who. The first team was from this issue. Further, the game was to attribute seven identities to myself and six friends, and WHY did our superhero identities change each month? It just now hit me: It's because the whole idea came up while contemplating the Dial H for Hero entry. The strip was an old favorite of mine, I'd just forgotten it was intimately related to the Super 7 thing! Well there you go.

Stagecoach Vigilante

"Stagecoach Vigilante" from Western Comics #1 (National, 1948) by Mort Meskin

Vigilante only lasted four issues of Western Comics (was this DC's first of the genre?), but I do find it interesting that a modern-day hero with a western shtick was initially included in a primarily 19th-century classic western anthology that also spawned the Wyoming Kid, Pow-Wow Smith, Matt Savage Trail Boss, and Nighthawk.

Iron Wolves

"Iron Wolves" from Weird Worlds vol.1 #9 (DC, 1974) by Howard Chaykin, John Warner and Vicente Alcazar

Weird Worlds started out with Pelucidar and John Carter of Mars stories, and in its final issues, featured Chaykin's Ironwolf stuff, reprinted later in the character's own book (though not this House of... material).

Promise to a Princess

"Promise to a Princess" from Weird Western Tales vol.1 #12 (DC, 1972) by John Albano and Tony De Zuniga

It should have been the western equivalent of Weird War Tales - i.e. this particular adventure should have featured a fairy tale princess or something - but it was mostly a Jonah Hex book, with side-orders of El Diablo, Scalphunter and Cinnamon. Not that these guys' stories couldn't get a little weird, but they were a far cry from, say, Super-Chief. Certainly not Creature Commandos level.

War Is Death

"War Is Death" from Weird War Tales vol.1 #100 (DC, 1981) by Joe Kubert

Can you believe this anthology series ran for 124 issues? And mostly without the benefit of the Haunted Tank or the War That Time Forgot, too! (The latter did make a return in WWT, but had been a mainstay in Star-Spangled War Stories.) New weirdness eventually came in the form of G.I. Robot, Viking Commando and the Creature Commandos, but they all came pretty late to the party. On the weird things today is Death as narrator. Because she wasn't in her cute Goth chick form, I never realized she was another of Sandman's "horror hosts".

Toxl the World Killer

"Toxl the World Killer" from Weird Mystery Tales (DC, 1972) by Jack Kirby and Mike Royer

How many such anthologies did DC have in the 70s? Answer: Too many. How many featured Jack Kirby work? Answer: Too few.

I CAN'T STOP!

"I CAN'T STOP!" from The Web #10 (DC, 2010) by Matthew Sturges and Roger Robinson

But the series, and the whole Red Circle brand, could. Oh DC, why try to gobble up all the superhero properties when you're not really going to really invest in them? The Archie heroes are much better off where they are now.

Ostrander and Close Dig Up Old Story Ideas

"Ostrander and Close Dig Up Old Story Ideas" from Wasteland #5 (DC, 1988) by John Ostrander, Del Close and David Lloyd

A horror anthology when no one was really doing horror anthologies anymore, and an adult one too, it would take the Vertigo banner for that kind of thing to really take off. But every issue I've seen has been worthwhile. I should probably get the whole thing one day.

Dinosaur vs. Unicorn

"Dinosaur vs. Unicorn" from Warlord vol.4 #3 (DC, 2009) by Mike Grell, Chad Hardin, Wayne Faucher, Dan Green and Walden Wong

PLACE YOUR BETS!!! (The odds are on the raptor's side, I have to warn you.) Mike Grell returned to Warlord a few years ago, to resounding ambivalence. No one cares about Skartaris anymore, despite it being the only place dinosaurs fight unicorns.

Did You Say Chest Spikes?

"Did You Say Chest Spikes?" from The Warlord vol.3 #9 (DC, 2006) by Bruce Jones and Bart Sears

Horror writer Bruce Jones had success with his run on the Hulk, which is where I encountered his work, but his Warlord reboot was a dismal failure, ending after only 10 issues, leaving all plot threads dangling, and subsequently getting ignore by later writers. This is just a taste.

Warlord Memories

"Warlord Memories" from Warlord vol.1 #65 (DC, 1983) by Mike Grell, Dan Jurgens and Mike DeCarlo

DC's most successful fantasy series (133 issues and 6 Annuals, with creator Mike Grell writing the first 6 years of it), it even had its own action figures. And I think that's mostly why I would try an issue here and there, but it never did capture my imagination. I suppose by the time I was deep into sword&sorcery, reading many novels and playing D&D, the book's best years were behind it.

Where Is the Love?!

"Where Is the Love?!" from The Wanderers #8 (DC, 1988) by Doug Moench, Dave Hoover and Robert Campanella

No love for this comic, and I'm dreading having to read it for my big Legion project coming in mid-2014... This 30th-century team premiered in a Legion story in the 60s, and was pointlessly brought back in the late 80s, except not really. The first thing DC did was kill them, clone them, and give them all-new appearances. What was the point? Keeping the "Wanderers" copyright? An unlucky 13 issues.

Howdy, Compadres

"Howdy, Compadres" from Vigilante: City Lights, Prairie Justice #3 (DC, 1996) by James Robinson and Tony Salmons

According to the rules I've set for myself, I should post a splash from Vigilante's recent ongoing, but wow did I find the first issue insipid. It didn't last long either. So instead, here's one from James Robinson's mini-series about the ORIGINAL, Golden Age Vigilante, set in that period. Oh yeah.

He Strongly Dislikes Crime

"He Strongly Dislikes Crime" from Vigilante vol.1 #1 (DC, 1983) by Marv Wolfman, Keith Pollard and Dick Giordano

I don't know very much about this series, except what I've read about it, mostly because I've never had much interest in the Punisher, and this was DC's answer to Frank Castle's popularity. (Is it me or did Marv Wolfman's 80s DC career consist almost entirely of trying to steal Marvel's thunder?) So what HAVE I read about Vigilante? Basically that though the creator, Wolfman's issues aren't very interesting, while Kupperberg's later issues actually do something interesting with the character. But so much other stuff to read before I ever get to this.

Multiple Mon-Els

"Multiple Mon-Els" from Valor #21 (DC, 1994) by Kurt Busiek, Colleen Doran and Dave Cooper

Meant to build the legend of Mon-El in the absence of a post-Crisis Superboy so HE can inspire the Legion of Super-Heroes, the idea that he seeded the various worlds of the 30th century with superhumans didn't even take place in this series. So it was all rather tepid space superhero stuff, quick to become irrelevant when Zero Hour hit and changed everything (again). The final issues tried to connect Valor to the LSH before it was too late.

The Visitors Hate Station Wagons

"The Visitors Hate Station Wagons" from V #13 (DC, 1986) by Cary Bates, Carmine Infantino and Tony DeZuniga

The V comic could have shown us stuff that wasn't possible on a TV budget. Unfortunately, it never really surpassed scenes like the one above.

A Happy Ending for the Unknown Soldier

"A Happy Ending for the Unknown Soldier" from Unknown Soldier vol.4 #25 (Vertigo, 2010) by Joshua Dysart and Alberto Ponticelli

I was a big fan of this version of the Soldier, and got other people into it at work. The African setting was one we hadn't seen before, and the creators really did their research. It became a war title as worthy as, say, DMZ, though people didn't talk about it as much. It even eventually linked up to the DC continuity Soldier.

Vehicle-Mounted Weapons

"Vehicle-Mounted Weapons" from Unknown Soldier vol.2 #10 (DC, 1989) by Jim Owsley and Phil Gascoigne

The late 80s re-positioned the Soldier in a 12-issue series that revealed he was immortal, and shows him participating in various conflicts from the 70s on. I hear it's pretty good.

News From the Front

"News From the Front" from Unknown Soldier vol.1 #221 (DC, 1978) by Bob Haney and Joe Kubert

It's funny. Because he drew his first story (in a Sgt. Rock tale in Our Army At War), and did all those Unknown Soldier covers - and the Who's Who entry - I associated Joe Kubert with the Soldier, but he really only drew one issue of any series called "Unknown Soldier". With respect to the work of Dick Ayers who drew most of the original series (under that title), I just can't pass up the chance to show a Kubert piece. It's a weakness.

Mean Street

"Mean Street" from The Unexpected #221 (DC, 1982) by Steve Ditko and Gary Martin

Before Danny the Street, there was...

Universe in Crisis: Here We Go Again

"Universe in Crisis: Here We Go Again" from Trinity #2 (DC, 2008) by Kurt Busiek, Mark Bagley and Art Thibert

I know people were just about sick of DC's year-long, weekly comics series by then, but I quite liked Kurt Busiek's Trinity. It started as an exploration of what Superman, Batman and Wonder Woman meant as superhero memes, with some very nice interaction between them, and later became an alternate universe story - a Crisis of sorts - in a DCU that didn't have them in It. it was nice to have Mark Bagley drawing the DC Universe as well.

The Beating

"The Beating" from Tor vol.1 #1 (DC, 1975) by Joe Kubert

I love Kubert's work, and he makes Tor just about the best caveman strip ever drawn. (Sorry, B.C.!) The art is so gorgeous, the anachronistic dinosaurs and strange monsters thrill you rather than irritate you. The comic actually started in the 50s in a book called "1,000,000 Years Ago" which became "3-D Comics" with its second issue and finally "Tor" with its third (all from St.John). The original five issues were reprinted in the 70s by DC after an original issue (well, almost original, since it was expanded from an attempt at a Tor newspaper strip). Eclipse then reprinted the 3D issues and published a new story in Sojourn. I first encountered Tor in the gorgeous over-sized Epic mini-series and was more than happy to pick up a new mini-series from DC in 2008. Tor also appeared in Kubert's last published series, Joe Kubert Presents. Beautiful stuff.

So Bob Kanigher Is Now Writing Tomahawk, Right?

"So Bob Kanigher Is Now Writing Tomahawk, Right?" from Tomahawk #122 (DC, 1969) by Bob Kanigher and Frank Thorne

Actually, from what I've read, DC's answer to Davy Crockett faced aliens and dinosaurs long before this issue, so the crazy was already in its DNA. For a while, Tomahawk even shared the book with his Howling Commandos-like team, the Rangers. But I've never heard anyone speak kindly of the first 120 or so first issues (or his long stint in Star Spangled Comics before that). The last couple years of the series had stronger art from the likes of Thorne, with covers by Neal Adams, and ran several frontier strips, including the newly introduced Hawk Son of Tomahawk feature that took over the book.

Trigon's Seen Better Days

"Trigon's Seen Better Days" from Titans vol.2 #2 (DC, 2008) by Judd Winick, Joe Benitez and Victor Llamas

And so has this franchise. I guess it's convenient that the Titans can keep shuffling between Teen Titans and just Titans, getting cancelled and going back to #1 each time. This is the series that was turned over to some villains after they killed the Atom, Ryan Choi. Somebody still needs to explain to me what the hell DC was doing there. Not just with the Atom's death (because they sure didn't put Ray Palmer to good use after that), but with using the Titans brand to create a low-rent Secret Six or Suicide Squad.

My Sidekick Is a Junkie Part 2

"My Sidekick Is a Junkie Part 2" from Titans vol.1 #43 (DC, 2002) by Tom Peyer, Barry Kitson and James Pascoe

Oh no! Aqualad! Not you too!

Time Warp Invasion

"Time Warp Invasion" from Time Warp #1 (DC, 1979) by Denny O'Neil, Rich Buckler and Dick Giordano

This sci-fi anthology lasted only 5 issues, and though it had interesting artwork (if not a lot of splashes, for our purposes) from the likes of Howard Chaykin, Jim Aparo, Joe Orlando and Steve Ditko, the stories were short, with simple twists, like low-rent Twilight Zone or Outer Limits episodes. Those I've seen anyway.

Running

"Running" from T.H.U.N.D.E.R. Agents vol.1 #2 (DC, 2011) by Nick Spencer, Cafu and Bit

In the last few years, DC never seemed content with their own stable of superheroes and tried their hand at various other properties, but it's debatable if they really gave any of them a proper shot. So we had the Archie heroes (Red Circle), pulp heroes (First Wave), Milestone heroes, and the integration of Wildstorm properties in the New52. And then there was DC's take on THUNDER Agents, which despite some A-level creators, never really worked for me. I AM enjoying the heck out of IDW's current iteration, lighter, funnier and tons more fun.

Aqualad Goes Mental

"Aqualad Goes Mental" from Teen Titans Spotlight #10 (DC, 1987) by John Ostrander, Erik Larsen and Romeo Tanghal

Oh man, Teen Titans Spotlight. I was getting into New TT late (it had turned into Tales), so dutifully got the solo anthology series for most of its run. The material varied from worthy (Starfire faced with famine in Africa) to neat (Changeling vs. Mr. 104) to dull (Jericho got a 4-issue arc, the longest in the series' history) to absurd (the Brotherhood of Evil visits Tintin's now-postapocalyptic dimension). The series featured stories and art from a variety of creators, some at the start of their careers, like JMS and Erik Larsen (the latter, above).

Teen Titans Rock Concert

"Teen Titans Rock Concert" from Teen Titans Go! vol.1 #38 (DC, 2007) by J. Torres and Chynna Clugston

I really liked the Teen Titans Go! cartoon series, and it's neat mix of anime, Bob Haney mod, and cool WB action. The comics series brings the same feel to the page and could be a lot of fun. I always enjoyed the Mad Mod issues most, for some reason. See above.

How to Follow Kid-Flash

"How to Follow Kid-Flash" from Teen Titans vol.4 #3 (DC, 2012) by Scott Lobdell, Brett Booth and Norm Rapmund

I dislike Booth's art quite a lot, but this is a fun idea from the New52 Titans series. As for the series itself, Lobdell writes it like a convoluted X-Men book, with the authorities after the kids right in the first issue. Mutantmania in the DC Universe. Add terrible costume designs and an obsession with crossing over with other books (often, Lobdell's Superboy), and you've got a recipe for yet another bad Titans book.